Monday, October 26, 2009
It is always a tricky thing when you put together the words "good and cheap." This is the case when it comes to finding good cheap guitars. We must remember to look at the word "cheap" two different ways. One, the guitar is inexpensive or two, its just plain garbage. We will be speaking to both meanings in this article. You can own a sweet instrument without spending a lot of money. There are several things you can do in order to be satisfied with the purchasing of cheap guitars. Lets take a look at a few points that will help you make a wise decision.
One of the most important things to keep in mind is, how does the guitar feel when you hold it, as well as the quality of sound it produces. With a few exceptions the guitar will be made from quality wood such as walnut, hickory or rosewood. Avoid guitars made out of composite materials. They just do not resonate sound like wood does. (There are a few exceptions to this rule.)
The shape is important as well. How it fits your body while your sitting down or the feel of balance if you are standing up. Pick a shape that makes it feel like it is a extension of your body. Visit a local music store and have an employee or a friend play several guitars and listen for a sound that is the most pleasing to your ears.
Note:( When you decide to purchase, do so on-line. You WILL pay less there.)
Replace Tuner Heads and Pickups
You will be amazed at how much better a guitar can sound by replacing cheap pickups with ones that have strong name recognition. There are several to choose from. Find pickups that fit your style. Also the tuner heads on cheap guitars often do not stay in tune very well. Again there are several quality heads that will be fine replacements. Simply doing these two things will narrow your search in finding good cheap guitars and boost your guitars performance quite a bit. They are easy to do using simple tools.
Be Willing to Spend $100 or More
In your pursuit of finding good cheap guitars the most important thing to keep in mind is maintaining that passion to practice. Especially for beginners it is essential that you own a guitar that you just can not wait to play when you get home. If you own something that is really cheap, you will not be enthusiastic about playing it. From my experience plan on spending at least $100 or you will end up with a dust collector.
Check Out Reviews and Ratings
Finally, spend some time on the Internet researching and learning.You will need to educate yourself on the vast array of options available to you. There is a huge amount of selection out there. Many guitar manufacturers are battling for your dollars. That being the case, competition is fierce, and companies are producing fine guitars at a fair price. The most difficult thing in finding good cheap guitars is deciding between all the options you have.
The good news is, there are websites out there that have done the research for you.
It can be frustrating weeding through all the forums and blogs out there while trying to find cheap guitars. If you want to see several 5 star guitars for under $500 all in one place, check out my website Cheap Guitars
I have been in the music business since the early 70's. My goal is to bring all the reviewed guitars and related gear to one place. Saving you the time of running all over the Internet.
Gold Top Musician- Researcher
Article Source: http://EzineArticles.com/?expert=T._Gibson
Sunday, October 18, 2009
Hammett was invited to join Metallica following the dismissal of the band's original lead guitarist Dave Mustaine in 1983. This was prior to the recording of Kill 'Em All. At the time Hammett was taking private guitar lessons from the now-famous Joe Satriani.
Hammett has written and contributed riffs for Metallica songs since the mid-1980s (particularly in the 1990s during the Load era). One of these riffs, used in "Enter Sandman" became one of Metallica's most popular songs. It was the first track and first single on Metallica's self-titled "Black Album" and was ranked 399th on Rolling Stone's list of the greatest songs of all time.
The bridge for "Creeping Death" was originally an Exodus riff that Hammett took with him to Metallica.
Hammett is also known for always having his picking hand taped up. During the course of a full tour, due to constantly palm muting and fast picking, the back of his hand takes sizable abuse.
Hammett's playing style is noted for his extensive use of the wah-wah pedal in his solos. Hammett says "The wah-wah is an extension of my personality." Hammett's use of the wah-pedal hadn't been featured in recent Metallica solos, but has seen a resurgence in his solos on the newest album, Death Magnetic.
Hammett initially wanted to have guitar solos on Metallica's 2003 album, St. Anger, but drummer Lars Ulrich and producer Bob Rock thought that the solos did not sound right in the songs. He later admitted himself, "We tried to put in solos but they sounded like an afterthought so we left them out".
On April 4, 2009, Kirk, along with remaining Metallica members Lars Ulrich, James Hetfield, Robert Trujillo, and former bassist Jason Newsted, was inducted into the Rock And Roll Hall Of Fame. Former bassist Cliff Burton, who died in a bus accident during the Master Of Puppets tour in 1986, was posthumously inducted as well. In 2009 Hammett supplied the foreword to British author Joel McIver's book To Live Is To Die: The Life And Death Of Metallica's Cliff Burton
Hammett now resides in San Francisco with Lani, his second wife, whom he married in 1998. They have two sons, Angel Ray Keala Hammett (September 29, 2006) and Vincenzo Kainalu Hammett (June 28, 2008).
Hammett's interests include surfing, cooking, horses, archeology, cars, science fiction magazines, collecting skulls of animals such as cats and dogs as seen in Metallica's movie Some Kind of Monster, and collecting horror film memorabilia.
Kirk also commented recently on the T3 gadget website in their audio interview that he was previously addicted to video games, stating that the addiction resulted in the loss of eating, social interaction and guitar practice.
Birth name Kirk Lee Hammett
Born November 18, 1962 (1962-11-18) (age 47)
San Francisco, California, USA
Genres Thrash metal, speed metal, heavy metal, hard rock
Occupations Musician, songwriter
Instruments Guitar, bass, sitar
Years active 1979 - present
Labels Warner Bros., Elektra, Vertigo, Megaforce
Associated acts Metallica, Exodus, Spastik Children
Friday, October 16, 2009
The advanced electronics on the 2009 Raw Power models speak volumes about their intentions. A pair of 57 Classic humbucking pickups offer a broad appeal for a wide range of playing styles. One of Gibson’s most popular pickups of all time, the 57 Classics employ Alnico II magnets, vintage enamel coated wire, nickel-plated pole pieces, nickel slugs, maple spacers and vintage-style, two-conductor, braided wiring, just like the legendary PAFs that they are based on. In a variation from the majority of original PAFs, however, the ’57 Classics’ coils are wax potted to combat microphony and feedback squeal at high volumes so, while vintage voiced, they are also suited to high-gain playing.
Solid to the Core
The Raw Power Series carries a hardware complement that cuts straight to the core of its intentions. The legendary Gibson Tune-O-Matic bridge and stop bar tailpiece pairing aid tuning stability and enhance sustain, while green-key Grover Kluson-style tuners add subtle vintage elegance to their superior performance. A Corian nut helps to ensure excellent resonance and sustain, as well as hitch-free performance. Both guitars feature glued-in necks and are built to Gibson’s traditional 24 3/4" scale length, with a neck width of 1 11/16" at the nut. All Raw Power Series guitars come equipped with a Gibson gig bag, so they’re ready to hit the road and roll.
the Raw Power Les Paul and the Raw Power SG .... just GREAAAAAAAT.
When it comes to Gibson’s Raw Power Series, exactly what it declares: two of the world’s most iconic electric guitar designs, stripped of superfluous frills and ready to roar. Inspired by the popular but short-lived Raw Power Les Paul of 2000-2001, the newly revitalized series of 2009 includes both the Les Paul Studio Raw Power and SG Raw Power, both in the dressed-down styling and meaty performance package that so many players loved in the original release, but with notable added features to update the theme.
Down to Business
The new Raw Power guitars follow the no-nonsense ethos of Gibson’s popular Studio series, and their down-to-business looks are packed with performance features that the hard-gigging modern musician will appreciate. These are grab’n’go workhorse guitars for tone-conscious rock and blues artists, and they wear their attitude on their sleeves. Both the Les Paul Studio Raw Power and SG Raw Power feature unbound solid maple bodies, with a traditional carved top on the former. This sturdy tonewood offers a clear, well-defined sonic response, as well as looking great with minimal cosmetic treatment. Their solid mahogany necks are topped with unbound maple fretboards, which are dressed with simple dot position markers, and graced with a traditional trapezoid marker at the 12th fret.
Simple, Yet Sizzling
None of this simplicity means that the Raw Power guitars suffer cosmetically, however, and just like the original Raw Power Les Paul — and the Les Paul Studio — these instruments are destined to be admired for their visual purity as well as for their power and tone. A Natural Satin finish denotes the cornerstone of the series (with smoky acrylic pickguard to enhance the natural elements in these guitars’ tops), but both models are also available in a range of finish options, including Satin Gold, Satin Yellow, Satin White, Satin Blue/Platinum, Satin Trans Ebony, Satin Aquamarine, and Gloss Platinum. Furthermore, the Les Paul Studio Raw Power is available in either chrome or gold-plated hardware.
Thursday, October 15, 2009
Some photos of Metallica american tour, the core of american metal band. Greeting All metallica fans there at the death magnetic tour. James Hetfield, lars ulrich, robert trujilo, kirk hammet ...looking great..... . awesome metal band!!!!. oooooh I miss Jason. still prefer the old metallica though.
metallica stil has a strong followers after 20 years and deserve recognition and do not forget to mention
Metallica is a LEGEND
Oops where did I left my gibson ? suddenly I got the urge to play "enter the sandman" and crank my marshall amp out loud..... In order to wake the neighbors.. lol ... wish I could learn to play rock guitar at a guitar school earlier... or enroll at Joe Satriani guitar school..... Like kirk hammet did. hehehehe lol.... anyway... keep on rocking ... where ever you are.. thats the matter...
Friday, September 11, 2009
LONDON (Reuters) - A wave of "Beatlemania" struck Britain's streets as a specially remastered edition of the Fab Four's albums was released on Wednesday, complete with an interactive video game for a new generation of fans.
The Beatles collection, launched worldwide on 09/09/09 and priced at 180 pounds ($300), is expected to dominate the charts in the United States and Britain, bringing a windfall to the group's label EMI Music and the Beatles' company, Apple Corps.
While queues formed at major music stores in London, there was also Beatles nostalgia across Europe and parts of Asia.
A front page cartoon in France's Le Monde newspaper showed France's divided opposition leaders dressed as Beatles. "It would be nice if we played the same music," says one. "All you need is love," replied another.
In Ireland, a radio station hosted a karaoke event with people invited to sing and play Beatles tunes on guitar.
Ahead of the launch, Beatles singer and songwriter Paul McCartney wrote a letter to Britain's biggest selling daily newspaper saying how he once imagined the band, which changed the face of popular music in the 1960s, would only last a couple of years.
"Now it feels like the Beatles will go on forever," he wrote in The Sun, nearly 50 years after the group was formed.
While the remastered catalog, its first overhaul since 1987, is seen appealing mainly to Beatles' fans who would appreciate subtle variations and improvements, most excitement surrounds MTV's video game, "The Beatles: Rock Band."
"I'm buying the game," said Stefan Krupicki, 32, who queued for an hour at the launch at the HMV store in central London and declared himself more a fan of Metallica than the Beatles. "I just want to try the game and see how it is going to work."
Developed by Harmonix Music Systems, published by Viacom's MTV Games and distributed by Electronic Arts, analysts say the game could sell 2 million units in the first month.
In New York's Times Square, Ken Zemsky, 56, picked up several copies of the game for his three children aged 12 to 20. "It's going to be a Christmas present," he said, after waiting in a short line at Toys "R" Us. "I thought I'd get it early in case the game sold out."
Although Zemsky said he rarely played video games, "I may play this one a little, but I'll really enjoy listening to the music while I watch them play."
The new music collection -- with its hefty price tag -- comprises 16 Beatles albums in stereo, with track listings and artwork as originally released in Britain, and "Magical Mystery Tour," which became part of the Beatles' core catalog when the CDs were released in 1987.
Allan Rouse, who oversaw the remastering, said improved computer software had allowed his team to improve the quality and sound of the Beatles' catalog, including the removal of bad edits, electrical clicks and sibilance.
The release should boost CD sales in an era when songs are often downloaded online and fans can choose their favorite tracks. But the Beatles appear set to move into the digital age -- with some of their music likely to be made available as downloadable content for the video game.
"I'm probably not going to buy the album. I'll probably download it because it's free," said Robert Gold, 21, who works at a clothing store in central London.
Fans of arguably the world's most successful pop band, with album sales of more than 600 million worldwide, have waited for years to be able to download the Beatles' coveted body of work, but have been frustrated partly by a trademark dispute.
The game, which offers 45 songs from the band's catalog, has won rave reviews from critics.
Gennaro Castaldo of HMV said the significance of the Beatles release was the introduction of a new generation of fans worldwide to the group's music.
"Music-based franchises such as Rock Band and Guitar Hero now sell in the tens of millions and have huge family appeal," said Castaldo, "which is why the release of Beatles Rock Band, combined with the simultaneous release of the remastered Beatles albums, promises to be such a global event."
With video game sales falling in the United States, the makers of the game hope to appeal to older consumers whose love of the music may draw them into gaming.
However, Jeff Howells, a 36-year-old civil servant, said he was at the launch to get the discs.
"I'm not interested in the game; quite a few people are not, I suspect. I think most people will be interested in the music. The game is just a nice little fad -- I don't think it will last."
Tuesday, September 1, 2009
NEW YORK (Billboard) - "Super poppy." "Just plain fun." "Surprisingly optimistic." "Catchy as hell." These are not phrases often used to describe Pearl Jam, the 30 million-selling purveyor of angst-ridden guitar rock now approaching its 19th year of existence.
And yet these are the words being used on blogs to describe "The Fixer," the first song from the Seattle rock band's ninth album, "Backspacer."
The track is a surging, '80s-style rocker written by drummer Matt Cameron.
You can't blame Cameron, singer Eddie Vedder, bassist Jeff Ament or guitarists Stone Gossard and Mike McCready for smiling wider than usual. President George W. Bush, who the band vilified in song and onstage for eight years, is out of office. The group remains a huge touring draw and A-list festival headliner, having grossed nearly $42 million from 51 shows reported to Billboard Boxscore from 2006 to 2008. Vedder won a Golden Globe for his soundtrack to the 2007 movie "Into the Wild." Life is quieter on the homefront, too: Four of the five band members have children.
But Pearl Jam is also celebrating because it finally made good on a longstanding desire to release its music on its own, without the aid of a major label. "Backspacer" will come out September 20 in the United States through a creative patchwork of deals with physical and digital retailers, the most prominent of which is a one-off, big-box exclusive with Target. Internationally, Universal Music is the label for the release.
The Target partnership threw fans for a loop when the news leaked in June. At first glance the move seems at odds with a band whose DIY, fan-first business ethic has set it against corporate behemoths like Ticketmaster and AT&T. But as details began to emerge, it became clear that Pearl Jam struck a deal that rewards the band and its fans as much as it does the stores that sell its music.
Target agreed to let independent music retailers carry "Backspacer," a first for one of its exclusives. "Backspacer" will also be sold on Pearl Jam's Web site and at Apple's iTunes Music Store.
"We've put a tremendous amount of thought into this, and we've done it in a way that we think will be good for everybody," Vedder says. He understands why some fans may be confused about the deal, but he says, "I can't think of anything we've ever done without putting it through our own personal moral barometer. Target has passed for us. The fans just have to trust us."
As Gossard puts it, "If somebody would have said 15 years ago that they were going to give us a great chunk of money and let it be a one-off and not hold us to any strings, we would have said, 'Come on! This is the best deal ever!' We fought our way through eight records at Sony and J to get ourselves in a position where we could cut a deal to get paid $5 a record, rather than $1.50 or $2. It was the right compromise for this record, and I think it will give us even more flexibility in the future. The fact that we cut out a few other chains -- I think it's our prerogative to do that. We're bringing a lot of smaller stores with us."
The Target discs will link to a virtual "vault" of 11 concerts spanning Pearl Jam's career, from which fans can choose two. The band will also create an organic cotton T-shirt to be sold at Target, with proceeds earmarked for the hunger relief charity Feeding America. And in September, a Cameron Crowe-directed TV ad will air featuring footage shot during a private performance at Seattle's Showbox in late May.
For Vedder, an avowed vinyl junkie who still savors memories of buying Jackson 5 records as a preteen in Chicago, Target isn't exactly his preferred music purchasing environment. "Maybe it will change, but I'm not going to find Thee Headcoatees at a Target," he says, invoking the obscure British band with a hearty laugh. "But if they only have 300 records at Target, and you can be one of them, and that's how people are going to hear your music, you have to think about that."
That's not the only thing Vedder is thinking about, either. While acts like AC/DC and Aerosmith were winning new fans with branded versions of "Rock Band" and "Guitar Hero," respectively, Pearl Jam was sitting on the videogame sidelines. The band finally took the plunge this spring when it made all of the songs from "Ten" available for download on "Rock Band" the same day the reissue hit stores. The band's manager, Kelly Curtis, declined to discuss sales, but sources at MTV say the "Ten" songs have generated more than 850,000 downloads.
"Backspacer" will also be available on "Rock Band" the day it comes out, and Target has an exclusive on an edition of the album featuring access to download its songs for "Rock Band" on Xbox Live and PlayStation Network. It's a precursor to a dedicated Pearl Jam game that could hit stores as early as 2010.
Industry observers are eager to see how Pearl Jam's plan plays out. If successful, it could inspire a host of established bands to try a similar approach, according to Tsunami Entertainment president Bruce Kirkland, who has helped negotiate numerous exclusives between artists and big boxes, including the Pearl Jam/Target pairing.
"Any artist that can tour without support and has a base is well served by this system," he says, pointing to Wal-Mart's deals with the Eagles and Garth Brooks. "For them, the record is a marketing tool for other revenue-generating opportunities. It is a no-brainer. It's a perfect deal in that sense. The financial upside is cutting out a lot of the middle pieces. I like the model because it basically puts more money into marketing, which is a big piece missing from labels these days, and there's a better bottom line for the artist."
Others are impressed that Pearl Jam has been able to create synergy among such a disparate roster of partners. "They're playing ball with the big boys," one former major-label executive says. "This isn't like some other bands, who self-released music online and then followed it up at retail months later. They picked major partners, because this is still a major band."
LEAN AND MEAN
As Pearl Jam reinvented its business, it turned to a familiar face when it came time to record: Brendan O'Brien. The band recorded "Backspacer" in Los Angeles and Atlanta with the producer, who also worked on "Vs." and "Vitalogy" but hadn't produced a Pearl Jam album since 1998's "Yield."
Pearl Jam's members quickly realized what they'd been missing, as O'Brien provided crucial input on arrangements; played piano, keyboard and percussion; and put together orchestrations for delicate Vedder songs like the acoustic guitar-powered "Just Breathe" and the gut-punch finale "The End."
"He does those melodic things from his musician brain first, and then he's able to layer them within the music with his producer brain," drummer Cameron says. "He uses both sets of skills in a way that most producers aren't even able to do." O'Brien's efficiency rubbed off on the band, according to Gossard. "We made this faster than we've made any record," he says. "We were 30 days in the studio total, including mix. I think we had 90 percent of the record cut in the first nine days."
At 11 songs and less than 37 minutes, "Backspacer" is the leanest and meanest Pearl Jam album yet. "At one of our gigs, without flashpots and electricity, there's only so much room for those more difficult listening songs," Vedder says with a laugh. "That was one reason why we kept the arrangements lean. The songs come off more like sparkling water than pea soup, and I think that's good for our group right now."
"The Fixer" became the foundation for the album after Vedder came up with an edit of an arrangement the band bashed through without him. "My personal interpretation is that it's about how (Vedder) makes our songs work," Gossard says of the track. "When someone inspires him, he's an incredible collaborator."
Other musical highlights on "Backspacer" include the opening one-two combo of "Gonna See My Friend," a furious Stooges-style garage blast, and the propulsive, Police-y "Got Some," which Pearl Jam premiered June 1 on the first episode of "The Tonight Show With Conan O'Brien."
On the softer side, "Just Breathe" is a ballad based on an instrumental from Vedder's "Into the Wild" soundtrack, while "The End" is an aching love song that closes the album with startling lyrics: "My dear/I'm here/But not much longer."
"You know, I'll admit that even I felt some impact myself listening to it back the first time, and not even really knowing where it came from," Vedder says of the song, which he debuted this summer during a solo tour. "A lot of the songs on this record were ones I just tried to get out of the way of, without self-editing."
Vedder named the album in homage to a typewriter key. The frontman, who still uses typewriters for lyric writing and personal correspondence, says he got upset when he saw vintage typewriter keys being used as jewelry. "For me it was like shark fin soup: 'You're killing typewriters for a bracelet!'" he says.
The band, which headlined the past weekend's Outside Lands festival in San Francisco, has shows lined up in Seattle, Los Angeles and Philadelphia through September and October, with the Philly gigs set to be the final ones at the Spectrum.
Also on tap is a headlining slot October 4 at the Austin City Limits festival, plus a run of shows in Australia, New Zealand and Hawaii in November and December.
As satisfied as they are with their new album and their new deals, Vedder and his bandmates insist they're as driven as ever to keep challenging themselves, both as a band and a business.
"You'd like to be able to go to work and have everything be smooth, but there's some weird artistic gene in some of us," he says, expanding on the theme of "The Fixer." "It can feel like a curse, because it makes you push yourself to make things better and not allow them to be easy. That's how you get the good stuff."
Thursday, August 6, 2009
Megadeth has remained a vital element in continuing to define and redefine the sound and the fury of metal music. When Dave Mustaine met up with David Ellefson in 1983, several months after Mustaine departed from Metallica, the musical beast they conceiv ed was Megadeth.
As co-founders of the band, Mustaine and Ellefson have devised a musical creature that, with each new album, forges new ground and stretches the very boundaries where metal lives. As the creative genius behind the music, Mustaine writes lyrics that are pr ofound and that analogous to his sharp, cynical view of modern society. "It's not like I am this frustrated bleeding anarchist," Mustaine remarks. "I am just telling a story of how my life is. I grew up in a broken home. I was latchkey kid. I want our fan s to have better lifestyle than the one I grew up in."
Mustaine's intelligence and talent, combined with those of Ellefson and the other players who have graced the formation of the band thoughout the years, have spawned authentic, raw, unruly music. "Our music is very stimulating, aggressive music, that cont ains influences all the way from blue to jazz fusion to speed and thrash metal", explains Mustaine. With intricate, furious guitar licks and heavy drums and bass, Megadeth continues to reign as a premier speed metal band of the 1990's, personifying metal music itself with every song reeling in ferocity, honesty and powerful thrash induced rhythms.
Their meteoric rise to forefront of the metal genre began in 1985 with Killing is my business... and business is good released on Combat records. This powerful debut propelled them straight into a deal with Capitol records. Their next album, Pe ace Sells... but who's buying, was released in september 1985. This sophomore release was a veritable onslaught of pure aggression and went gold.
In 1988 So far, so good... so what was released. The album was harder, more forceful and maintained an even punk feel, unleashing such monsters as "Mary Jane" and "Set the world afire."
After the So far, so good...so what album, with Nick Menza on drums and Marty Friedman on guitar, Megadeth began yielding songs, fueled by Mustaine's fierce intellect and supported by superior musicianship, that spiraled Megadeth towards its best a nd most creative period. "When the four of us got together and made the record Rust in Peace, we knew we were on to something special," says Ellefson.
"Since then we have really honed our sound and we have learned how to write and record together." The unique bond that resulted changed the face of Megadeth's future. "This lineup is more successful than any other because the vision is the same," says Dave Mustaine, a sentiment concurred by Marty Friedman who notes, "We are lucky because we are all a similar age, have a similar vision and share a chemistry. When the four of us strap on our instruments it just sounds like Megadeth." The four embrace a soulful commonality, especially regarding what their music is about. "We are focused and in alignment with what we wan
t to do and how we want to do it," says drummer Nick Menza. "We have always been the type of band that makes music for ourselves foremost. That is why there is so much substance to it. It is not contrived. It is real. It is reality."
Megadeth has done very well at bringing their music to new audiences. Countdown to extinction was released in 1992, taking them on a world tour. The year also saw Mustaine as a host on MTV for "Rock the vote" covering the Democratic Convention - a job which coincided perfectly with Mustaine's penchant for political commentary and social awareness. Also keeping the band in the limelight, the band's single, "Angry Again" from the Last Action Hero soundtrack made a major breaktrough and "99 way s to die", the lead track on the hugely successful The Beavis and Butthead Experience compilation album, became an MTV and metal radio staple.
The release of Youthanasia brought Megadeth to new heights and also to parts of the world never before ventured, including Israel and Eastern Europe. It represented a departure in many ways for the band. "Killing is my business... and business i s good" up to Countdown to Extinction were all written while performing previous material," explains Mustaine.
"Youthanasia was written totally and 100% in the studio. We weren't playing any old cataloged material. None of the past influenced the new record." The album contains songs that explore the depths of Mustaine's darker, deeper thoughts and feelings - songs such as, "The Family Tree" a song about child abuse and the deep pain of lost love described in "Addicted to Chaos" while also delving into his inner fear of nuclear war in "Black Curtains."
The band withstood controversy after controversy with the release of Youthanasia, "A tout le monde" being banned by MTV for its suicidal overtones. "This is coming from an institution that is supposedly for your mind and says that censorship is un- American," says Mustaine. "We don't write music that makes suggestions of taking one's own life. It's more saying - we have a problem here, let's be part of the solution." The cover art for the album, decipting babies hanging from clotheslines, caused a m ajor stir as well. "We never do anything for shock value or to get controversial press because that is basically a pain in the ass," says Marty Friedman. "We like it and that is what we wanted our album cover to be." Youthanasia has gone platinum.
The band released a new album, Hidden Treasures, in the UK an March 13, 1995 to coincide with the European leg of the Youth tour. In addition to a new Sex Pistols cover, the album contains songs only previously released on complation and soundtrack albums. A version off Hidden Treasures was released in Japan and the U.S. as well.
1995 also found the band on-line with Megadeth Arizona. "We use it as a communication tool between us and our fans. We are more accessible and more able to communicate with include our fans within Megadeth's world," says David Ellefson.
On Cryptic Writings (1997), Megadeth's eighth album, the band's unwavering conviction mixes with a desire to explore new territory, characteristics which mark their career as true musical pioneers. Recorded in Nashville, TN, Cryptic Writings ranges from Mega-rock (the melodic "Trust" and "Almost Honest" with their relationships-going-to-hell vulnerability), balls-out powerful (the monsterous thrash of "the Disintegrators" and the fight for freedom of "FFF") and hard pummeling metal ("Masterm ind" and the edgy "I'll get even").
Cryptic Writings was written during 1996 and the last three months of the year were spent in the recording studio with producer Dann Huff. When Megadeth went in search of a cutting edge, not necessarily well-known producer - They found Huff, the si nger-guitarist of hard rock's Giant in the late '80s to early '90s, who was also a student of famed producer Mutt Lange.
"I wanted to take guitar lessons from Dann six years ago. I'd heard a Giant record and said, 'Here's a guy who knows where to put the notes.' He sounded awesome," Mustaine says. But Huff instead offered to jam with him. Recalls Mustaine, "I didn't realize that he was a session player and what he meant was 'I'll give you a free lesson.' So I turned him down." Now Mustaine wanted him as a producer and flew to Nashville. "I never heard anything he'd produced or even any music from him recently. He had really short hair and he got us lost driving from his house to the studio. But I thought, 'He's the guy.'"
Recording far from home, he says, was the best it's ever been for a band that has been nothing short of volatile over the years. "There was a congeniality and a level of trust in each of us created an enviroment of cooperation. This was the most painless experience we ever had in a studio."
In the time between Youthanasia and Cryptic Writings, the members of Megadeth kept their fierce work ethic in full tilt. Mustaine collaborated with Lee Ving of Fear on MD.45, the full length album, The Craving, on Capitol. Marty Frie dman released a solo album entitled, True Obsessions.
In addition to contributing regularly to Bass Player Magazine with the column "The Real Deal," Ellefson's book "Making Music Your Business" is now available, published by Miller Freeman. Nick Menza put together a band called SOMA, which has recorded 14 songs, played a gig opening for Dokken and has yet to release any material.
Megadeth touring plans for Cryptic Writings have the guys on the road for much of 1997. After promotional touring of Europe and the US, and then rehearsals, the havoc began in Mesa, AZ on friday, June 13. The summer of 1997 included rock festivals such as the Waldrock Festival in the Netherlands, Graspop festival in Belgium and Midtfyn Festival in Denmark. With Megadeth's dedication to their fans, they fit in gigs at smaller venues as well.
July through September marked Megadeth's return to the US where they continued their onslaught from state to state, leaving sold-out venues in their wake. Additional dates will take Megadeth all around the world where they can expect to remain as the reigning beasts of metal music.
Saturday, July 4, 2009
In 1986 SKID ROW was born in a garage somewhere in Toms River, N.J. Formed by founding members Snake Sabo and Rachel Bolan. Like a bastard child of a thousand maniacs, they relentlessly pounded the New Jersey club circuit; packing houses wherever they performed. Fast forward to 1989. SKID ROW's debut album goes on to sell over 5 million copies in the U.S.A. along with a tour that takes them around the world.
1992 the band releases their second record SLAVE TO THE GRIND which debuts at..1 on the Billboard charts. Making them the first Heavy metal/Hard rock band to do so. Slave rockets to multi-platinum status. This is also followed by a massive world tour. In 1995 band relationships severely strain, but they reluctantly go into the studio to record what was thought to be their final release
SUBHUMAN RACE. Soon after, the band parted ways.
That was until late 1999 when founding members Rachel Bolan, Scotti Hill, and Snake Sabo decided that SKID ROW meant far to much to them let the music fade into rock obscurity.
There were changes to be made the question was who. Enter Texan singer Johnny Solinger. Suggested through a mutual friend the band visited Johnnys website and were immediatley interested in what they heard. A few e-mails later and the singer was on a plane to N.J. He had a quiet confidence about him when he walked through the front door says guitarist Snake. Rachel adds We knew he was the guy half way through the first song of his audition. Johnny fit the bill to a T. Great voice, great attitude and was clear on what the band was about.
With a new frontman in place the band needed a rock solid drummer. They turned to Atlanta native Dave Gara. Dave came into rehearsal and started playing and everything felt right. It was like he had been in the band forever. explains guitarist Scotti Hill. If they thought things couldnt get better, they did. In 2000 SKID ROW landed the coveted opening slot on the KISS Farewell Tour. The tour of tours. It brought SKID ROW's music back to the hungry masses.
Since then the band has logged a few hundred thousand bus miles and some 350 shows during which the band was busy writing new songs for their cd THICKSKIN that was released in 2003. That album put SKID ROW's past in perspective and future in place. SKID ROW has just put the final touches on their new CD REVOLUTIONS PER MINUTE that released worldwide October 24th, 2006 on SPV records.
I WANT ROCK N ROLL ALL NITE
KISS is an American rock band formed in New York City in December 1972.
* Paul Stanley – rhythm guitar, lead vocals (1972–present)
* Gene Simmons – bass guitar, lead vocals (1972–present)
* Tommy Thayer – lead guitar, vocals (2002–present)
* Eric Singer – drums, percussion, vocals (1991–1996, 2001–2002, 2004–present)
Easily identified by its members' trademark face paint and stage outfits, the group rose to prominence in the mid and late-1970s on the basis of their elaborate live performances, which featured fire breathing, blood spitting, smoking guitars, and pyrotechnics. Kiss has been awarded 24 gold albums to date. The band has sold over 19 million records in the United States and their worldwide sales exceed 85 million albums.
The original lineup of Paul Stanley (vocals and rhythm guitar), Gene Simmons (vocals and bass guitar), Ace Frehley (lead guitar and vocals), and Peter Criss (drums, percussion and vocals) is the most successful and identifiable.
KISS on stage at summer fest milwaukee
With their makeup and costumes, they took on the personae of comic book-style characters:
The Demon (Simmons), Starchild (Stanley), Spaceman (Frehley), and Catman (Criss).
The band explains that the fans were the ones who ultimately chose their makeup designs. The "Demon" makeup reflected Simmons' cynicism and dark elements, as well as his love for comic books. Paul Stanley became the "Starchild" due to his tendency to be referred to as the "starry-eyed lover" and "hopeless romantic." Ace Frehley's "Spaceman" makeup was a reflection of him wanting to go for a ride in a space ship and supposedly being from another planet. Peter Criss' "Catman" makeup was in accordance with the belief that Criss had nine lives due to his rough childhood in Brooklyn.
Due to creative differences, both Criss and Frehley were out of the group by 1982. The band's commercial fortunes had also waned considerably by that point.
KISS ALIVE 1975
In 1983, Kiss abandoned its makeup and enjoyed a commercial resurgence throughout the rest of the decade. Buoyed by a wave of Kiss nostalgia in the 1990s, the band announced a reunion of the original lineup (with makeup) in 1996. The resulting Kiss Alive/Worldwide/Lost Cities/Reunion Tour was the top-grossing act of 1996 and 1997. Criss and Frehley have since left Kiss again and have been replaced by Eric Singer and Tommy Thayer, respectively. The band continues to perform with makeup, while Stanley and Simmons have remained the only two constant members.
gene simmons | paul stanley | ace frehley | peter criss | eric carr | mark st john | tommy thayer |bruce kullick | vinnie vincent | eric singer | source wikipedia
download Kiss greatest hits MP3 here click the "click me download button" after the jump.
Thursday, June 11, 2009
Aerosmith - Formation: 1969-1971
The origins of Aerosmith can be traced to the late 1960s in Sunapee, New Hampshire. Steven Tyler was a drummer and vocalist originally from Yonkers, New York, who had been in a series of relatively unsuccessful bands such as The Vic Tallarico Orchestra, The Strangeurs/Chain Reaction, The Chain, Fox Chase, and William Proud. In 1969, while vacationing in Sunapee, he met Joe Perry, who was at the time washing dishes at the Anchorage in Sunapee Harbor, and playing in a band called the Jam Band with bassist Tom Hamilton and drummer David "Pudge" Scott. This meeting would eventually lead to the formation of Aerosmith.
Hamilton and Perry moved to Boston, Massachusetts in September . There they met Joey Kramer, a drummer also from Yonkers, New York who had also known Steven Tyler, with whom he had always hoped to play in a band. Kramer, a Berklee College of Music student, decided to quit school to join the band. In October 1970, they met up once again with Steven Tyler, who had been a drummer and backup singer, but adamantly refused to play drums in this band, insisting he would only take part if he could be the frontman and lead vocalist. The others agreed, and Aerosmith was born. The band took the name Aerosmith, suggested by drummer Joey Kramer, after considering The Hookers and Spike Jones.
As said, the members of the band used to sit around every afternoon getting stoned and watching Three Stooges reruns. One day, they had a post-Stooges meeting to try to come up with a name. Kramer volunteered that when he was in school he would write the word Aerosmith all over his notebooks. The name had popped into his head after listening to Harry Nilsson's album Aerial Ballet, an homage to Nilsson's grandparents' aerial circus act, that featured jacket art of a circus performer jumping out of a biplane. Initially, Kramer's bandmates were nonplussed; they all thought he was referring to the boring Sinclair Lewis novel they were forced to read in high school English class.
"No, not Arrowsmith," Kramer explained. "A-E-R-O...Aerosmith."
The band added Ray Tabano, a childhood friend of Tyler, as rhythm guitarist and began playing local shows. In 1971, Tabano was replaced by Brad Whitford, who also attended the Berklee School of Music and was formerly of the band Earth Inc. Other than a period from July 1979 to April 1984, the line-up of Tyler, Perry, Hamilton, Kramer, and Whitford has stayed the same.
Aerosmith - Record deal, Aerosmith, Get Your Wings, and Toys in the Attic: 1971-1975
After forming the band and finalizing the lineup in 1971, the band started to garner some local success doing live shows. Originally booked through the Ed Malhoit Agency, the band signed a promotion deal with Frank Connelly and eventually secured a management deal with David Krebs and Steve Leber in 1972. Krebs and Leber invited Columbia Records President Clive Davis to see the band at Max's Kansas City club in New York City. Aerosmith was not originally scheduled to play that night at Max's Kansas City, but they were able to pay their way on the bill. Aerosmith signed for a reported $125,000 and issued their debut album, Aerosmith. Released in January 1973, the album peaked at #166.
The album was straightforward rock and roll with well-defined blues influences, laying the groundwork for Aerosmith's signature blues-rock sound.Although the highest charting single from the album was "Dream On" at #59, several tracks (such as "Mama Kin" and "Walkin' the Dog") would become staples of the band's live shows and receive airplay on rock radio. The album reached gold status initially, but eventually went on to sell two million copies and was certified double platinum after the band reached mainstream success over a decade later. After constant touring, the band released their second album Get Your Wings in 1974, the first of a string of multi-platinum albums produced by Jack Douglas. This album included the rock radio hits "Same Old Song and Dance" and "Train Kept A-Rollin'", a cover done previously by The Yardbirds. The album also contained several fan favorites including "Lord of the Thighs", "Seasons of Wither", and "S.O.S. (Too Bad)", darker songs which have become staples in the band's live shows. To date, Get Your Wings has sold three million copies.
It was 1975's Toys in the Attic, however, that established Aerosmith as international stars competing with the likes of Led Zeppelin and The Rolling Stones. Originally derided as Rolling Stones knockoffs, Toys in the Attic showed that Aerosmith was a unique and talented band in their own right. Toys in the Attic was an immediate success, starting with the single "Sweet Emotion", which became the band's first Top 40 hit.This was followed by a successful re-release of "Dream On" which hit #6, becoming their best charting single of the 1970s. "Walk This Way", re-released in 1976, reached the Top 10 in early 1977.
In addition, "Toys in the Attic" and "Big Ten Inch Record" (a song originally recorded by Bull Moose Jackson) became concert staples. As a result of this success, both of the band's previous albums re-charted. Toys in the Attic has gone on to become the band's bestselling studio album in the States, with certified U.S. sales of eight million copies. The band toured in support of Toys in the Attic, where they started to get more recognition. Also around this time, the band established their home base as "The Wherehouse" in Waltham, Massachusetts, where they would record and rehearse music, as well as conduct business.
Aerosmith - Rocks, Draw the Line, and Live! Bootleg: 1976-1978
Steven Tyler and Joe Perry performing in concert together in the 1970s.
Aerosmith's next album was 1976's Rocks, which "captured Aerosmith at their most raw and rocking". It went platinum swiftly and featured two FM hits,
"Last Child" and "Back in the Saddle", as well as the ballad "Home Tonight",which also charted. Rocks has sold four million copies to date. Both Toys in the Attic and Rocks are highly regarded, especially in the hard rock genre, and appear on such lists as Rolling Stone's 500 Greatest Albums of All Time, and are cited by members of Guns N' Roses, Metallica, and Mí¶tley Crí¼e as having large influences on their music. Soon after Rocks was released, the band continued to tour heavily, this time headlining their own shows and playing to several large stadiums and rock festivals.
The next album, 1977's Draw the Line, was not as successful or as critically acclaimed as their two previous efforts, although the title track proved to be a minor hit (and is still a live staple), and "Kings and Queens" also experienced some success. The album went on to sell 2 million copies; however drug abuse and the fast-paced life of touring and recording began affecting their output. While continuing to tour and record into the late 1970s,
Aerosmith acted in the movie version of Sgt. Pepper's Lonely Hearts Club Band. Their cover of the Beatles hit "Come Together" was included in the album's soundtrack and would be the band's last Top 40 hit for nearly 10 years.The live release Live! Bootleg, originally released as a double album, was put out in 1978 and captured the band's rawness during the heyday of the Draw the Line tour. Lead singer Steven Tyler and lead guitarist Joe Perry became known as "The Toxic Twins" because of their notorious abuse of drugs on and off the stage.
Aerosmith - Departures of Perry and Whitford, Night in the Ruts, and Rock in a Hard Place: 1979-1984
Just after the recording of their sixth studio album, 1979's Night in the Ruts, Joe Perry left the band, citing differences with Steven Tyler, and formed The Joe Perry Project. Perry was replaced first by longtime band friend and songwriter Richard Supa and then by guitarist Jimmy Crespo (formerly of the band Flame). Night in the Ruts quickly fell off the charts (although it would eventually go platinum several years later), its only single being a cover of The Shangri-Las' "Remember (Walking in the Sand)", which topped out at #67.
The band continued to tour in support of Night in the Ruts with new guitarist Jimmy Crespo onboard, but as the 1970s came to a close, the band's popularity waned. Steven Tyler collapsed onstage during a performance in Portland, Maine in early 1980. Also in 1980, Aerosmith released its Greatest Hits album. The album has gone on to become the band's bestselling album in the United States, with sales of 11 million copies.
In the fall of 1980, Tyler was injured in a serious motorcycle accident, which left him hospitalized for two months, and unable to tour or record well into 1981. In 1981, the band suffered another loss with the departure of Brad Whitford. After recording guitar parts for the song "Lightning Strikes", Whitford was replaced by Rick Dufay and the band recorded their seventh album Rock in a Hard Place in 1982. The album was considered a commercial failure, only going gold, and failing to produce a major hit single. During the tour for Rock in a Hard Place, Tyler again collapsed onstage, this time at the band's homecoming show in Worcester, Massachusetts, after getting high with Joe Perry, who met with Aerosmith backstage that evening.
On February 14, 1984, Perry and Whitford saw Aerosmith perform. They were officially re-inducted into the ranks of Aerosmith once more two months later. Steven Tyler recalls:
Aerosmith - Back in the Saddle reunion tour, Done with Mirrors, and drug rehab: 1984-1986
In 1984, Aerosmith embarked on a reunion tour entitled "Back in the Saddle", which led to the live album Classics Live II. While concerts on the tour were well-attended, it was plagued with several incidents, mostly attributed to drug abuse by band members. Their problems still not behind them, the group was signed to Geffen Records and began working on a comeback. Despite the band signing on to a new record company, Columbia continued to reap the benefits of Aerosmith's comeback, releasing the live companion albums Classics Live I and II and the collection Gems.
In 1985 the band released Done with Mirrors, their first studio album with Geffen and their first album since the much-publicized reunion. While the album did receive some positive reviews, it only went gold and failed to produce a hit single, or generate much buzz outside the confines of rock radio. The album's most notable track, "Let the Music Do the Talking", was in fact a cover of a song originally recorded by The Joe Perry Project and released on that band's album of the same name. Nevertheless, the band became a popular concert attraction once again, touring in support of Done With Mirrors, well into 1986.
In 1986, Steven Tyler and Joe Perry appeared on Run D.M.C.'s cover of Aerosmith's "Walk This Way", a track blending rock and roll and hip hop that not only cemented rap into the mainstream of American popular music, but also marked Aerosmith's true comeback. The song reached #4 on the Billboard Hot 100 and its associated video helped introduce Aerosmith to a new generation.
Yet the band members' drug problems still stood in their way. In 1986, lead singer Steven Tyler completed a successful drug rehabilitation program, at the discretion of his fellow band members and manager Tim Collins, who believed that the band's future would not be bright if Tyler did not get treated.
The rest of the band members also completed drug rehab programs over the course of the next couple years. According to the band's tell-all autobiography,
Collins pledged he could make Aerosmith the biggest band in the world by 1990 if they all completed drug rehab.Their next album was crucial because of the commercial disappointment of Done With Mirrors, and as the band members became clean, they worked hard to make their next album a success.
Aerosmith - Permanent Vacation and Pump: 1987-1991
Permanent Vacation was released in September 1987, becoming a major hit and the band's bestselling album in over a decade (selling 5 million copies in the U.S.), with all three of its singles ("Dude (Looks Like a Lady)", "Rag Doll", and "Angel") reaching the Top 20 of the Billboard Hot 100. The group went on a subsequent tour with labelmates Guns N' Roses (who have cited Aerosmith as a major influence), which was intense at times because of Aerosmith's new struggle to stay clean amidst G N'Rs well-publicized, rampant drug use.
Aerosmith's next album was even more successful. Pump, released in October 1989, featured three Top Ten singles: "Janie's Got a Gun", "What It Takes", and "Love in an Elevator", as well as the Top 30 "The Other Side", re-establishing Aerosmith as a serious musical force. Pump was a critical and commercial success, eventually selling 7 million copies, achieving four-star ratings from major music magazines, and earning the band their first ever Grammy win in the category of Best Rock Performance by a Duo or Group with Vocal, for "Janie's Got a Gun". The recording process for Pump was documented in the video The Making of Pump, which has since been re-released as a DVD. The music videos for the album's singles were featured on the release Things That Go Pump in the Night, which quickly went platinum.
Aerosmith appear in a "Wayne's World" sketch on Saturday Night Live in 1990.
In support of Pump, the band embarked on the 12-month Pump Tour, which lasted for most of 1990. On February 21, 1990, the band appeared in a "Wayne's World" sketch on Saturday Night Live, debating the fall of communism and the Soviet Union, and performed their recent hits "Janie's Got a Gun" and "Monkey on My Back".
On August 11, 1990, the band's performance on MTV's Unplugged aired. In October 1990, the Pump Tour ended, with the band's first ever performances in Australia. That same year, the band was also inducted to the Hollywood Rock Walk. In 1991, the band appeared on The Simpsons episode "Flaming Moe's" and released a box set titled Pandora's Box. In 1992, Tyler and Perry appeared live as guests of Guns N' Roses during the latter's 1992 worldwide pay-per-view show in Paris, performing a medley of "Mama Kin" (which G N'R covered in 1986) and "Train Kept-A Rollin".
Aerosmith - Get a Grip and Big Ones: 1992-1995
The band took a brief break before recording their follow-up to Pump in 1992. Despite significant shifts in mainstream music at the beginning of the 1990s, 1993's Get a Grip was just as successful commercially, becoming their first album to debut at #1 and racking up sales of 7 million copies in a two-and-a-half-year timespan. The first singles were the hard rocking "Livin' on the Edge" and "Eat the Rich". Though many critics were unimpressed by the focus on the subsequent interchangeable power-ballads in promoting the album, all three ("Cryin'", "Crazy" and "Amazing") proved to be huge successes on radio and MTV. The music videos featured then up-and-coming actress Alicia Silverstone; her provocative performances earned her the title of "the Aerosmith chick" for the first half of the decade. Steven Tyler's daughter Liv Tyler was also featured in the "Crazy" video. Get a Grip would go on to sell more than 7 million copies in the U.S. alone, and over 15 million copies worldwide. The band won two Grammy Awards for songs from this album in the category of Best Rock Performance by a Duo or Group with Vocal: for "Livin' on the Edge" in 1994 and "Crazy" in 1995.
During the making of Get a Grip, the management and record company brought in a variety of professional songwriting collaborators to help give nearly all the songs on the album more commercial appeal, a trend which would continue until the early 2000s. However, this led to accusations of selling out that would continue throughout the 90s. In addition to Aerosmith's grueling 18 month world tour in support of Get a Grip, the band also did a number of things to help promote themselves and their album and appeal to youth culture, including the appearance of the band in the movie Wayne's World 2 where they performed two songs, the appearance of the band and their music in the video games Revolution X and Quest for Fame, performing at Woodstock '94, using their song "Deuces Are Wild" in The Beavis and Butt-Head Experience, and opening their own club, The Mama Kin Music Hall, in Boston, MA in 1994.
That same year saw the release of the band's compilation for Geffen Records, entitled Big Ones featuring their biggest hits from Permanent Vacation, Pump, and Get a Grip, as well as three new songs, "Deuces Are Wild", "Blind Man", and "Walk on Water", all of which experienced great success on the rock charts.
Aerosmith - Nine Lives and "I Don't Want to Miss a Thing": 1996-2000
Aerosmith had signed a $30 million contract with Columbia Records/Sony Music in 1991, but had only recorded three of their six contractual albums with Geffen Records at that point (Done with Mirrors, Permanent Vacation, and Pump). Between 1991 and 1996, they released two more albums with Geffen (Get a Grip and Big Ones), which meant they now had five albums with Geffen under their belt (along with a planned live compilation), which meant they could now begin recording for their new contract with Columbia.
The band took time off with their families before working on their next album, Nine Lives, which was plagued with personnel problems, including the firing of manager Tim Collins, who, according to band members, nearly caused the band to break up. The album's producer was also changed from Glen Ballard to Kevin Shirley. Nine Lives was released in March of 1997. Reviews were mixed, and Nine Lives initially fell down the charts, although it had a long chart life and sold double platinum in the United States alone, fueled by its singles, "Falling in Love (Is Hard on the Knees)", the ballad "Hole in My Soul", and the crossover-pop smash "Pink" (which won the band their fourth Grammy Award in 1999 in the Best Rock Performance by a Duo or Group with Vocal category).
It was followed by the over two-year-long Nine Lives Tour, which was plagued by problems including lead singer Steven Tyler injuring his leg at a concert, and Joey Kramer suffering second degree burns when his car caught fire at a gas station. However, the band also released their only #1 single to date: "I Don't Want to Miss a Thing", the love theme, written by Diane Warren, from the 1998 film Armageddon, starring Steven Tyler's daughter Liv.
The song stayed on top of the charts for four weeks and was nominated for an Academy Award. The song helped open Aerosmith up to a new generation and remains a slow-dance staple. 1998 also saw the release of the double-live album, A Little South of Sanity, which was assembled from performances on the Get a Grip and Nine Lives tours. The album went platinum shortly after its release. The band continued with their seemingly neverending world tours promoting Nine Lives and the "I Don't Want to Miss a Thing" single well into 1999.
In 1999, Aerosmith were featured in the Disney Hollywood Studios at Walt Disney World (and later in 2001 at Disneyland Paris in the Walt Disney Studios Park) ride, Rock 'n' Roller Coaster Starring Aerosmith, providing the ride's soundtrack and theme. On September 9, 1999, Steven Tyler and Joe Perry reunited with Run-D.M.C. and were also joined by Kid Rock for a collaborative live performance of "Walk This Way" at the MTV Video Music Awards, a precursor to the Girls of Summer Tour. The band celebrated the new millennium with a brief tour of Japan, and also contributed the song "Angel's Eye" to the 2000 film Charlie's Angels.
Aerosmith - Just Push Play, O, Yeah!, and Rocksimus Maximus: 2001-2003
The band entered their next decade by performing at the halftime show for Super Bowl XXXV, in January 2001, along with pop stars 'N Sync, Britney Spears, Mary J. Blige, and Nelly. All of the stars collaborated with Aerosmith at the end for a performance of "Walk This Way".
In March 2001, the band released their 13th studio album Just Push Play, which quickly went platinum, fueled by the Top 10 single "Jaded" and the appearance of the title track in Dodge commercials. They were inducted to the Rock and Roll Hall of Fame soon after their album was released, in late March of 2001. Aerosmith is the only band to be inducted to the Hall of Fame with a song active in the charts ("Jaded"). Later that year, the band performed as part of the United We Stand: What More Can I Give benefit concert in Washington D.C. for 9/11 victims and their families. The band flew back to Indianapolis for a show the same night, as part of their Just Push Play Tour.
The band started 2002 by ending the Just Push Play tour, and simultaneously recording segments for their Behind the Music special on VH1, which not only chronicled the band's history but also the band's current activities and touring. The special was one of the few Behind the Musics to run two hours in length. In July 2002, Aerosmith released a two-disc career-spanning compilation O, Yeah! Ultimate Aerosmith Hits, which featured the new single "Girls of Summer", and embarked on the Girls of Summer Tour with Kid Rock and Run-D.M.C. opening. O, Yeah! has since been certified double platinum. MTV honored Aerosmith with their mtvICON award in 2002. Performances included Pink covering "Janie's Got a Gun". Shakira performed "Dude (Looks Like a Lady)", Kid Rock played "Mama Kin" and "Last Child", Train performed "Dream On" and Papa Roach covered "Sweet Emotion".
In addition, testimonials featured surprise guests Metallica, as well as Janet Jackson, Limp Bizkit singer Fred Durst, Alicia Silverstone and Mila Kunis. In 2003, Aerosmith co-headlined with Kiss on the Rocksimus Maximus Tour, in preparation for release of their blues album.
Aerosmith - Honkin' on Bobo, Rockin' the Joint, and Devil's Got a New Disguise: 2004-2006
Brad Whitford, Steven Tyler, and Joe Perry of Aerosmith performing at the NFL Kickoff in Washington, DC on September 4, 2003.
Aerosmith's long-promised blues album Honkin' on Bobo was released in 2004. This was a return to the band's roots, including recording the album in live sessions, working with former producer Jack Douglas, and laying down their blues-rock grit. It was followed by a live DVD, You Gotta Move, in December 2004, culled from performances on the Honkin' on Bobo Tour. "Dream On" was also featured in an advertising campaign for Buick in 2004, targeting that marque's market which is now composed largely of people who were teenagers when the song first charted.
2005 saw Steven Tyler appear in the film Be Cool. Joe Perry released his self-titled solo album that same year. At the 2006 Grammy Awards, he was nominated for Best Rock Instrumental Performance for the track "Mercy", but lost to Les Paul. In October 2005, Aerosmith released a CD/DVD Rockin' the Joint.
The band hit the road for the Rockin' the Joint Tour on October 30 with Lenny Kravitz for a fall/winter tour of arenas in the largest U.S. markets. The band planned to tour with Cheap Trick in the spring, hitting secondary markets in the U.S. Almost all of this leg of the tour was canceled, however. Dates were initially canceled one by one until March 22, 2006, when it was announced that lead singer Steven Tyler needed throat surgery, and the remaining dates on the tour were subsequently canceled.
Aerosmith commenced recording a new album on Armed Forces Day 2006. Tyler and Perry performed with the Boston Pops Orchestra for their annual July 4 concert on the Esplanade in 2006, a milestone as it was the first major event or performance since Steven Tyler's throat surgery. Around this time, the band also announced that they would embark on the Route of All Evil Tour with Mí¶tley Crí¼e in late 2006. On August 24, 2006 it was announced that Tom Hamilton was undergoing treatment for throat cancer. In order to make a full recovery, he sat out much of the Route of All Evil Tour until he was well again. Former Joe Perry Project bassist David Hull substituted for Hamilton until his return. On September 5, 2006, Aerosmith kicked off the Route of All Evil Tour with Mí¶tley Crí¼e in Columbus, Ohio. The co-headlining tour took both bands to amphitheaters across North America through November 24. After that, a select few arena dates were added, some of which were with Mí¶tley Crí¼e. The tour ended December 17.
On October 17, 2006, the compilation album Devil's Got a New Disguise - The Very Best of Aerosmith was released. The album contained previous hits with the addition of two new songs, "Devil's Got a New Disguise" and "Sedona Sunrise", which were older outtakes re-recorded for the album. "Devil's Got a New Disguise" peaked at #15 on the Mainstream Rock Tracks chart. The album was intended to fulfill Aerosmith's contract with Sony and tide fans over until the band's new studio album was released.
Aerosmith - World Tour, Guitar Hero, and new album: 2007-present
Aerosmith performing live at Quilmes Rock, Argentina on April 15, 2007.
In early 2007, the band announced a new World Tour, their first for nearly a decade to include dates outside North America or Japan. The band performed at London's Hard Rock Cafe in February 2007to promote their European tour which included a night in Hyde Park as part of the Hyde Park Calling festival sponsored by Hard Rock Cafe. In the spring, the band toured Latin America to sold-out stadium crowds. In the summer, the band toured Europe, performing at several major rock festivals and visiting some countries they had never played before. Additionally, the band played Asian countries such as the United Arab Emirates and India for the first time. The band also played a few select dates in California and Canada in late July. One such date, a July 21 concert in Prince Edward Island, was the largest in that province's history. In September, the band performed eight dates in major markets in Northeastern North America. These shows were opened by Joan Jett. The band also played a private gig in Hawaii. A public show in Hawaii was canceled for logistical reasons, which spurred a class action lawsuit against the band.
On November 1, 2007, the band began work on the final studio album of their current contract with Sony. It is believed that the album will be a mix of re-recorded tracks left off previous albums as well as brand new material. In an interview, guitarist Joe Perry revealed that in addition to creating a new album, the band was working closely with the makers of the Guitar Hero series to develop Guitar Hero: Aerosmith, which is dedicated to the band's music. The game was released on June 29, 2008 and contains many of their best songs. Steven Tyler announced on VH1 Classic Radio on September 4, 2008 that Aerosmith intends to enter the studio at the end of September, 2008 to complete the band's 15th studio album. It will be the band's first album of original material since 2001's Just Push Play. Tyler also confirmed that the band plans to begin a new U.S. tour in June of 2009, in support of the as-yet-untitled album. This tour was supposed to be preceded by a concert in Venezuela on February 1, 2009. However, on January 15, Tyler said the band would be unable to play the gig because of a second knee injury of guitarist Joe Perry. In mid-February 2009, it was announced that the album would be produced by the famed Brendan O'Brien and that the album would likely be recorded live, like their earlier records. The band hopes to finish the album before their tour starts in June 2009.
Aerosmith: Band members
Aerosmith - Current members
Steven Tyler - lead vocals, piano, harmonica, percussion and drums (1970-present)
Joe Perry - lead and rhythm guitar, backing vocals (1970-1979; 1984-present)
Brad Whitford - rhythm and lead guitar (1971-1981; 1984-present)
Tom Hamilton - bass guitar, backing vocals (1970-present)
Joey Kramer - drums, percussion (1970-present)
Aerosmith - Former members
Ray Tabano - rhythm and lead guitar (1970-1971)
Jimmy Crespo - lead and rhythm guitar, backing vocals (1979-1984)
Rick Dufay - rhythm and lead guitar (1981-1984)
Wednesday, June 3, 2009
OZZY SPEAKS ABOUT BLACK SABBATH TRADEMARK ISSUE
Below is my official press statement on the official Black Sabbath trademark lawsuit. I am very saddened that I've had to take legal action against Tony. This is something that I've tried to avoid for years. I am not Geezer or Bill's voice. However, till the day I die I will not change my mind on this issue.
The Black Sabbath trademark should be equally owned by Geezer, Bill, Tony and I as the true Black Sabbath lineup is Tony, Geezer, Bill and I. We've all been mates since school. I've always said there is an invisible thread that holds us together.
Tony, lets get this ridiculous issue sorted and move on with our lives. You're 61, I'm 60. I hope that we've got a good 20 years left in us. But if not, God forbid something happens to you. What's going to happen to the Black Sabbath trademark? Who's going to oversee it? Don't you think after we're long gone the rights should stay in your family, my family, Bill's family and Geezer's family?
Statement from OZZY OSBOURNE:
"It is with great regret that I had to resort to legal action against my long term partner, Tony Iommi, but after three years of trying to resolve this issue amicably, I feel I have no other recourse. As of the mid-1990's, after constant and numerous changes in band members, the brand of 'Black Sabbath' was literally in the toilet and Tony Iommi (touring under the name Black Sabbath) was reduced to performing in clubs.
Since 1997 when Geezer, Bill and myself rejoined the band, Black Sabbath has returned to its former glory as we headlined sold-out arenas and amphitheatres playing to upwards of 50,000 people at each show around the world.
We worked collectively to restore credibility and bring dignity back to the name 'Black Sabbath' which lead to the band being inducted into the UK and US Rock & Roll Hall of Fames in 2005 and 2006, respectively.
Throughout the last 12 years, it was my management representatives who oversaw the marketing and quality control of the 'Black Sabbath' brand through OZZFEST, touring, merchandising and album reissues.
The name 'Black Sabbath' now has a worldwide prestige and merchandising value that it would not have had by continuing on the road it was on prior to the 1997 reunion tour. Tony, I am so sorry it's had to get to this point by me having to take this action against you. I don't have the right to speak for Geezer and Bill, but I feel that morally and ethically the trademark should be owned by the four of us equally. I hope that by me taking this first step that it will ultimately end up that way. We've all worked too hard and long in our careers to allow you to sell merchandise that features all our faces, old Black Sabbath album covers and band logos, and then you tell us that you own the copyright. We're all in our 60's now. The Black Sabbath legacy should live on long after we have all gone. Please do the right thing."
source ozzy newsletter
Why Is He Famous?
If you have purchased a rock album over the past 30 years, Ozzy's DNA is all over it. The original Black Sabbath front man went on to release over a dozen records, recruiting legendary guitarists, going on infamous tours, and pulling some head-raising feats. A rock legend in the truest sense of the word, surely he was one of the major influence in today's rock music.
Friday, May 15, 2009
The Early Days
The Appetite For Destruction Masterpiece
At the end of 1988 the band released "Lies" which featured four new acoustic songs and tracks from "Live ?!*@ Like A Suicide". The album hit number 2 of the charts but controversially the song "One In A Million" sparked intense controversy for its violent and racist lyrics. Also when in 1989 Guns N' Roses were awarded at the annual award show for best heavy metal album and best heavy metal song for "Appetite For Destruction" and "Paradise City", McKagan and Slash used strong language on live television. As a result all subsequent award shows were broadcasted with a five second delay!
Use Your Illusion Global Domination
Shortly after the release of "Lies" drummer Steve Adler was fired and replaced by Matt Sorum from the Cult and during the recording of their long-awaited second studio album the band added keyboardist Dizzy Reed. Under the new lineup Guns N' Roses released "Use Your Illusion I" and "Use Your Illusion II" which simultaneously shoot at the two top spots of the charts.
The band then went on a colossal 28-month long world tour which was hugely successful but also very eventful. The most famous incident took place in the summer of 1991 when during a show in Missouri Rose jumped into the crowd injuring a fan and then left the stage. The angry crowd begun a riot in which many people were injured. During this period Stradlin quit the band due to differences with Rose and was replaced by Gilby Clarke.
In 1993 the new lineup released a collection of punk covers named "The Spaghetti Incident?" which received some good reviews, however, it did not match the brilliance of their previous three studio albums. In conjunction with a number of other events, including the release of the "Nevermind" album that shifted musical interest to Nirvana and internal disputes between Rose and the rest of the band, Guns N' Roses gradually declined. By 1997 the band disintegrated leaving Rose the sole original member of the band.
In the years that followed Guns N' Roses remained relatively unnoticed, occasionally making the headlines for the wrong reasons including riots in their gigs, cancelled shows and the long delayed fifth studio album "Chinese Democracy". The only releases from the band since 1993 were the two compilation albums "Live Era '87-'93" (1999) and "Greatest Hits" (2004).
A notable attempt from previous Guns N' Roses members came in 2003 when Slash, Duff McKagan and Matt Sorum formed the band Velvet Revolver with Scott Weiland formerly with the Stone Temple Pilots. Their debut album "Contraband" released in June 2004 received good reviews and went straight to the top of US charts.
When it comes to living dangerously, few bands can claim they have done more so than Guns N' Roses. From creating musical masterpieces to causing riots in their gigs, no other band managed to cement such an untouchable legendary status with just four studio albums. The absolute encapsulation of "Sex, Drugs And Rock N' Roll" was to rise and fall in less than a decade.
"Nothing lasts forever, even cold November Rain"
source The Rock Radio.com